first impressions
the id card of your first son, infamous log of the noosphere. serial numbers, records, footprints, tracking. indistinction. every day, on the streets.
the artist wants to speak of common, ordinary things, and ends up selling his identity. author overlays the work; author with a single work; image-producing identity.
production line, factory line. series. collection. mimicry, miniature, versions. unfolding. conclusions. route, paths, process, not always space. trajectory. quiet.
if i sign behind my fingerprint, i produce almost an id card. precisely what i want to question. (that’s what i did.i notice)
this logic of desire comes from the market, from the original that overlaps the copy, from needs of authentication. exclusivity(excludes), limited edition(limits). speculation. commodity-art, stock exchange.
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they’re ten fingers in our hands, leaving their fingerprints marked on a sheet of paper. each sheet is marked by a finger, in order – like when we do civil registration.
series of 10 watercolors on cotton paper 19×25 cm | plywood and acrylic frames mounted by the artist.
collective exhibition EAV 2013
azuis project
rio de janeiro, 2013